CLASSIC BRITISH LANDSCAPES

Buttermere Sunrise, The Lake Distict in Spring

£425.00

THE PHOTOGRAPH

A stunning morning in The Lake District. Love this place.

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

The Black Mountain, Rannoch Moor, Scotland

£425.00

THE PHOTOGRAPH

 HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

Tryfan and Llyn Ogwen, Snowdonia

£425.00

THE PHOTOGRAPH

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 122cm by 71cm (canvas 114cm cm by 63cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 163cm by 93cm  (canvas size is 155cm by 85cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

The Shadow of Stac Pollaidh, Sutherland, Scotland

£425.00

THE PHOTOGRAPH

My favourite view of one of my favourite places in the world. Sutherland, on the wild North West coast of Scotland is just awesome. The photograph is taken looking out over Inverpolly from near the summit of Stac Pollaidh, one of Scotland's classic peaks, just as the sun dips into the Atlantic Ocean behind me. You can see the moon coming up in the top right of the picture. It was cold and crisp, with a dusting of snow on the hilltops. Heaven.

The full title of the picture, written in silver on the bottom left of the canvas, is Suilven, Quinag, Canisp, Cul Beag, Cul Mor and the Shadow of Stac Pollaidh.

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas  edges with several coats of the same paint used on the tray frame, so the they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 160cm by 44cm (canvas 152cm by 36cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 203cm by 53cm  (canvas size is 195cm by 45cm)

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

Rattray Head Lighthouse

£425.00

THE PHOTOGRAPH

Rattray Head Lighthouse is a beauty. It stands alone amid 17 miles of sea and sand dunes off Buchan, Aberdeenshire. Built in 1895 it was manned until automation in 1982.

Shipping Forecast for Cromarty on Wednesday 7th March 2018 at 1700 hours:

East 2 or 3. Slight or moderate. Fair. Good.

Longitude 57.61.01 N, Latitude 1.81.64 W

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

The Mighty Buachaille Etive Mor by Starlight, Scotland

£425.00

THE PHOTOGRAPH

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

The West Pier, Brighton

£425.00

THE PHOTOGRAPH

The  old West Pier remains in Brighton is an irresistible subject. This is a long exposure as the early morning light is just creeping into the sky.

For me this picture speaks of the futility of our dreams and ambitions when faced with the immensity of time and nature. ( I find this oddly comforting!) The West Pier always brings my mind a few lines of poetry recalled from school days..

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is hand painted either white or grey depending on your order (for this image I like the white best).

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas  edges with several coats of the same paint used on the tray frame, so the they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White or Grey Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White or Grey Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

Sea Fog at The Needles

£425.00

THE PHOTOGRAPH

The Classic View of the Isle of Wight at dawn. One of my all time favourite photographs.

 HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

One Hundred and Seventy Seven Sailboats - R.T.I.R 2017

£425.00

THE PHOTOGRAPH

Sailboats race around the needles during the iconic Round The Island Race of 2017. We take the doors of my friend Mike's little old Piper plane so I can lean out to get these shots. One of my favourite days of the year. I love the misty slate colours and atmospheric feel of this one.

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

London From The Shard

£425.00

THE PHOTOGRAPH

London from the top of the Shard is one of the great city views of the world. This image is a collage nearly 100 little pics taken whilst walking around the Shard viewing platform through perhaps 30 different windows and from different viewpoints. It took a while to reconstruct in photoshop, but you wont find any joins. It is the city at dusk.

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas and then left flat to dry for a few days. The great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas  edges with several coats of the same paint used on the tray frame, so the they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 160cm by 44cm (canvas 152cm by 36cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 203cm by 53cm  (canvas size is 195cm by 45cm)

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

Silver Birch, The Ancient Rothiemuchus Forest, Scotland

£110.00

THE PHOTOGRAPH

If you ever get a chance to walk in the ancient forests around Rothiemurchus near Aviemore in the Highlands of Scotland take it.  It's stunning. One of the few remaining areas of the great Caledonian forest that once covered much of Scotland.

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, hand coated in a matte varnish we import from America, and then left flat to dry for a few days. This means the picture can be cleaned with a damp cloth, and the great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in three sizes as detailed below. A shipping charge of £35 is added at checkout for the larger sizes, and £10 for the smaller one.

Large Stretched Canvas Framed in a White Tray Frame: £375

Limited Edition of 150

Framed Size 71 cm by 71 cm (canvas 63 cm cm by 63 cm)

XL Stretched Canvas Framed in White Tray Frame: £475

Limited Edition of 50

Framed Size is 93 cm by 93 cm  (canvas size is 85 cm by 85 cm).

Small Stretched Canvas Framed in a White Tray Frame: £110

Limited Edition of 150

Framed Size 35 cm by 35cm (canvas 27cm by 27cm)

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

Autumn Copse, Dorset

£425.00

THE PHOTOGRAPH

A woodland walk on a still autumn morning. Few things feel better for the mind.

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, and then left flat to dry for a few days. The great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

Wistman's Woods, Devon

£425.00

THE PHOTOGRAPH

This stunted oak forest, Wistman's Woods, is found high up in the heart of Dartmoor -a good 45 minute hike from the nearest road. To me this place feels to me like the remnants of a lost world... something left over from a time of druids and magic...

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas, and then left flat to dry for a few days. The great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 133cm by 60cm (canvas 1254cm by 52cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 183cm by 80cm  (canvas size is 175cm by 72cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk 

Lightning Over St. Catherine's Lighthouse

£425.00

THE PHOTOGRAPH

 Photographing lightning can be both exhilarating and frightening. There's a lot of guess work involved. You set your camera up on it's tripod and shoot long exposure after long exposure, hoping lightning will strike. Close enough, but not too close.

I was up all night on this occasion, chasing the storm fronts around the island. As I pressed the shutter on this picture, I felt my skin prickle with the static in the air. It's an exposed spot to be standing during an electrical storm with a large metal tripod. But excited with capturing this double strike, I decided to risk one more. The next exposure on the film is bleached white by a strike that left me sitting on the ground with my ears ringing.

HOW WE MAKE THE PICTURE

We build everything ourselves in the gallery. The photograph is printed on the very best archival matte canvas and then left flat to dry for a few days. The great thing about a matte finish with no glass is that you have no distracting glare or reflections. It's a much more direct experience.

Whilst the print is drying we can get on with making the stretcher frame and the tray frame that the finished canvas will drop into. The tray frame is then hand painted.

Next the canvas is stretched over the stretcher frame. After that, we carefully paint the canvas edges with several coats of the same paint used on the tray frame, so they match perfectly. Then we assemble the canvas and frame, put a hanging wire on the back, and attach a Certificate of Authenticity. Finally Neil signs the piece front and back adding the title and edition number.

We use the very best materials, and I would expect my pictures to look exactly the same in 100 years. They won't fade in our lifetime. 

BUYING OPTIONS

This picture is available as a framed stretched canvas, and comes in two sizes as detailed below. A shipping charge of £35 is added at checkout.

Large Stretched Canvas Framed in a White Tray Frame: £425

Limited Edition of 150

Framed Size 122cm by 71cm (canvas 114cm cm by 63cm)

XL Stretched Canvas Framed in White Tray Frame: £675

Limited Edition of 50

Framed Size is 163cm by 93cm  (canvas size is 155cm by 85cm).

Canvases can be rolled and shipped abroad unframed. Please get in touch for a quote.

Feel free to call Neil on 07957 473693 with any more questions, or email us at neil@neilwilliams.co.uk